Image: Tate Modern
Tate Modern is flagging the final weeks of 'Tracey Emin: A Second Life', a survey of the artist’s work that spans four decades and is presented in the Eyal Ofer Galleries. The museum’s latest notice describes the exhibition as a last chance to see Emin’s boundary-breaking practice, with works ranging from installations to neons.
The announcement comes through Tate’s visitor email rather than a fresh curatorial statement, but it confirms the show’s framing as a major exhibition at the London museum. Tate says the presentation is in partnership with Gucci and has additional support from the Tracey Emin Exhibition Supporters Circle, Tate International Council, Tate Members and Tate Americas Foundation. The media partner for the exhibition is The Guardian.
In Tate’s description, 'Tracey Emin: A Second Life' is built around the artist’s “pain, passion and healing,” language that aligns with the institution’s emphasis on the emotional directness of Emin’s work. The email also points to the personal material often associated with her practice, saying visitors can “get to know” Emin through the memories of Margate and family life that have shaped her artworks.
The exhibition is presented alongside a broader set of Tate programming and membership promotions, but Tate separates those items from the main exhibition notice. The email highlights unlimited free entry for Tate Members, from £8 a month, while encouraging visitors to explore the exhibition before it closes. No closing date is provided in the source material, only that these are the final weeks.
Tate’s message also links Emin’s show to the museum’s wider public-facing programme around another major name in modern art. It promotes 'Frida Kahlo' programming at Tate Modern, including a Tate Late inspired by Kahlo, as well as 'Frida: The Making of an Icon', which Tate says is organised by the Museum of Fine Arts, Houston, in collaboration with Tate Modern. Those references appear as separate items in the email and are not part of the Tracey Emin exhibition itself.
The artist promotion is accompanied by review-star excerpts from TimeOut, The Times, The Independent and The Guardian, but the email does not provide the full reviews or attribute detailed commentary beyond the ratings. The core message remains straightforward: 'Tracey Emin: A Second Life' is nearing its end at Tate Modern, in the Eyal Ofer Galleries, after presenting four decades of Emin’s work in one place.
