Image: FEUTEU, Los Angeles
Los Angeles gallery FEUTEU has launched a new online exhibition, 'A Portrait of You (and Me)', bringing together photographs, editions and prints from its collection in a show focused on portraiture and identity. The presentation is framed as a survey of the many ways portraiture can reveal, construct and challenge how people understand themselves and others, and the works are available to view and purchase through the gallery’s online platform.
The exhibition gathers artists whose names are strongly associated with contemporary photography, appropriation, performance and celebrity image-making. FEUTEU’s selection includes Chris Levine, Nan Goldin, Shirin Neshat, Gregory Crewdson, Cindy Sherman and Andy Warhol, presenting their work in a format that emphasizes portraiture’s range rather than a single style or period. The gallery describes the project as a celebration of portraiture’s versatility across different media and print processes.
Among the works listed in the online presentation is Chris Levine’s 'Stillness is a Portal to the Divine, Kate Moss' from 2021, described as an archival inkjet print presented in a custom perspex box. Nan Goldin is represented by 'Joey in my Mirror, Berlin (1992)' from 2009, a C print on Fujicolor professional paper published by C/O Berlin. The page also lists Barbara Kruger’s 'Unveiling #1' and Robert Longo’s 'Untitled (Janet, from The Men in the Cities Series 1981)', extending the exhibition’s reach beyond strictly photographic portraiture into related print-based formats.
Several of the works foreground the tension between portrait as document and portrait as constructed image. Cindy Sherman appears twice in the selection, including 'Untitled (Head Shots) triptych' from 2025 and 'Twinkle-Toes' from 2023, both issued as limited prints. Andy Warhol is represented by 'Andy Warhol Self Portrait' from the 1980s, an offset lithograph on Lenox Museum board. The exhibition also includes work by Miles Aldridge, Helmut Newton and John Baldessari, indicating a broad approach to the genre that moves between fashion, conceptual art, celebrity imagery and staged character.
FEUTEU presents itself as a leading online gallery specialising in contemporary photography and photo-related contemporary art. In the exhibition text, the gallery says it is committed to presenting reputable artists alongside emerging talent, and to offering collectors “a trustworthy platform” with expertise, quality advice and efficient service. That institutional framing fits the exhibition’s emphasis on collecting as well as viewing, since the works are displayed in a format designed for direct purchase through the site.
The online installation does not specify a physical venue or in-person run, and the source material positions it as a digital exhibition rather than a gallery space show. FEUTEU’s own page invites viewers to explore the full exhibition online, with each work accompanied by medium, dimensions and edition details where provided. The presentation is built around portraiture as a flexible category, from Goldin’s personal photograph and Sherman’s performative self-staging to Warhol’s self-portrait and Levine’s image of Kate Moss.
