Uffizi Highlights Bernardo Zenale Panels Conceived for One Altarpiece

The polyptych was dismembered in the 19th century. It is now presented in a new form that suggests the work’s original completeness.

Wunderkammern were cabinets of wonders in which collectors gathered extraordinary objects from as early as the 16th century.

The painting is dated to around 1390 and identified with the Uffizi. It brings together a crowded mass of figures in an animated composition.

Savoldo’s ‘Mary Magdalene’ depicts Mary Magdalene at the exact moment when she recognizes the risen Christ.