Agnolo Gaddi’s 'Crucifixion,' circa 1390

The polyptych was dismembered in the 19th century. It is now presented in a new form that suggests the work’s original completeness.

The Uffizi has highlighted two panels by Bernardo Zenale that were conceived as the sides of the same altarpiece.

Wunderkammern were cabinets of wonders in which collectors gathered extraordinary objects from as early as the 16th century.

Savoldo’s ‘Mary Magdalene’ depicts Mary Magdalene at the exact moment when she recognizes the risen Christ.