Galerie

Crane Kalman Gallery lines up 'Summer Selection' with paintings and sculpture by major modern names

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Crane Kalman Gallery has announced 'Summer Selection', a group exhibition of British, European and American paintings and sculpture running from 29 July to 4 September 2026. The presentation brings together works by a roster of modern and postwar artists that includes Sir Anthony Caro, Alexander Calder, Lynn Chadwick, L.S. Lowry, Henry Moore, Mary Newcomb, Winifred Nicholson, Victor Pasmore, John Piper, Stanley William Hayter, Theodoros Stamos, Tom Stogdon and others named in the gallery’s mailing.

The gallery’s announcement places 'Summer Selection' within a broad field of 20th- and 21st-century art, spanning figuration, abstraction and sculpture. The list of artists ranges from widely recognised British figures such as Caro, Chadwick, Lowry, Moore, Nicholson, Pasmore and Piper to international names including Calder, Hayter and Stamos. The selection also extends to more recent work by Tom Stogdon, identified in the mailing with a 2025 sculpture in Welsh grey slate.

Several specific works are highlighted in the source material, giving a sense of the range on view. Among them are James Fitton RA’s 'Ladies' Handicap - The Races' from 1975, Stanley William Hayter’s 'Échanges' from 1966, Victor Pasmore’s 'Linear Image' from 1976, L.S. Lowry’s 'Elderly Lady' from 1968 and 'Old Lady' from 1969, Winifred Nicholson’s 'Tunisian Earth' from 1972, Mary Newcomb’s 'Country Wedding' from 1971 and Tom Stogdon’s 'Northern Line' from 2025. The mailing also includes works by Hans Hofmann, with 'St. Tropez' from 1929 and 'South of France' from 1928.

Crane Kalman Gallery is based at 178 Brompton Road in London’s SW3 district, according to the mailing. Its announcement frames the exhibition as a summer presentation of paintings and sculpture rather than a single-artist survey, using the seasonal title 'Summer Selection' to gather together a varied mix of established modern names and later works. The gallery’s material does not specify a curatorial theme beyond the medium and geographic spread, but it does make clear that the selection crosses British, European and American art.

The exhibition dates are explicitly given as 29 July to 4 September 2026, and the gallery’s event listing identifies the venue as Crane Kalman Gallery in London, United Kingdom. No separate opening reception, public programme or sales detail is included in the source text. The announcement instead focuses on the artists and works included, presenting the show as a concise seasonal survey anchored by sculpture and painting from across several generations.

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