Image : Božidar Jakac Gallery, Kostanjevica na Krki
Cette actualité est affichée en anglais en attendant que sa traduction soit prête.
Božidar Jakac Gallery in Kostanjevica na Krki has announced the opening of 'Umet(el)no', a group exhibition featuring Tin Dožić, Simon Goritschnig, Lara Reichmann and Andrea Zabric. The gallery says the opening will take place on Saturday, July 25, at 7 pm.
The notice arrives through the gallery’s mailing list and points readers to Božidar Jakac’s own address in Kostanjevica na Krki, where the institution is located. The gallery’s contact information and regular opening hours are included in the email, underlining that the announcement is being issued by the venue itself rather than by an outside organizer.
The exhibition title, written as 'Umet(el)no', suggests a play on language, though the source material does not explain the title or the curatorial premise. What is clear from the announcement is that the presentation brings together four contemporary artists: Tin Dožić, Simon Goritschnig, Lara Reichmann and Andrea Zabric. No individual works are identified in the notice, and no further exhibition details are provided in the text supplied.
Božidar Jakac Gallery is one of Slovenia’s established art institutions, and its public communications often frame it as a place for contemporary and modern art alongside broader programming. In this case, however, the verified source material offers only the invitation itself and basic logistical information. The gallery’s email lists its website, telephone number, email address and social media channels, placing the exhibition within an active institutional context even as it leaves the artistic contents undescribed.
The opening time is the main piece of event information given in the announcement: Saturday, July 25, at 7 pm. The email also reproduces the gallery’s address, Grajska cesta 45, 8311 Kostanjevica na Krki, and its summer opening schedule, which notes extended hours on Fridays and Saturdays from June 15 to September 15. Those details are part of the gallery’s general visitor information rather than a specific exhibition timetable, but they locate the event clearly for the public.
No statement in the source material describes a separate programme, artist talk or related event, so the exhibition announcement stands on its own. The gallery’s invitation is brief and direct, serving as a straightforward notice of the 'Umet(el)no' opening and the artists named in the title line.
