Image: DELLASPOSA, London
London gallery Dellasposa has included David Shrigley’s 'Just Fly Away' (2022) in its August 2026 Discoveries mailing, presenting the work as an original screenprint in colours with a varnish overlay on Somerset Satin Tub Sized 410gsm paper. The print is signed and numbered, issued in an edition of 125, and priced at £3,195 plus shipping.
The work appears alongside other modern and contemporary names in the gallery’s newsletter, which is framed as a private-sales selection rather than a public exhibition. Dellasposa describes itself as a gallery in Kensington, London, operating by appointment, and says it presents bespoke private views and curated events and exhibitions featuring artworks by leading modern, post-war and contemporary artists. In this instance, the mailing is focused on works available for sale, with no exhibition dates or venue details attached to Shrigley’s print beyond the gallery’s sales context.
Shrigley’s print is listed under the title 'Just Fly Away (Try Not to Look Back)', though the headline version given for the item is 'Just Fly Away' (2022). The catalogue information supplied by Dellasposa identifies the edition size, the printing technique and the paper stock, all of which position the piece within the artist’s wider print practice and the market for signed, limited-edition editions. The work is offered unframed, with dimensions listed at 76 x 56 cm.
The August mailing places Shrigley’s print in the company of works by George Condo, David Bailey and Pablo Picasso, underscoring the gallery’s emphasis on collecting across different periods and reputations. In the same email, Condo’s 'Prismatic Head' (2024) is given as a silkscreen in 21 colours with spot colours, while Picasso’s 'Le Vieux Roi' (1963) is described as a linocut in five colours. The selection suggests a sales-led roundup organised around highly recognisable names and editioned works.
For Shrigley, the listing is notable because the gallery supplies precise production details rather than interpretive commentary. The screenprint is described as being made in colours with a varnish overlay on Somerset Satin Tub Sized paper, a format that places emphasis on the material and technical aspects of the edition. The work is signed by the artist and numbered on the verso, according to the email.
Dellasposa’s email gives no indication of a launch event, exhibition opening or separate public presentation for 'Just Fly Away'. Instead, it is presented as one of several available “discoveries” in the gallery’s August 2026 private-sales communication, with interested buyers directed to contact the gallery by email or telephone.
