Image: Puccio Fine Art
Puccio Fine Art is featuring ‘Untitled (SF-343)’ by Sam Francis, a 1990 lithograph in six colors, in its online collection. The work is listed as signed and numbered in pencil with the publisher’s chop mark, and the gallery identifies it as an edition of 50. The print measures 46.25 by 30 inches and is printed on PTI #120 Waterleaf paper.
The listing places the work within Puccio Fine Art’s broader online inventory of editioned works by artists associated with postwar and contemporary art. The gallery’s website also presents works by Invader, Damien Hirst, James Rosenquist and Steve Kaufman in its store and artist pages, indicating an emphasis on signed, market-oriented editions alongside individual unique works. In the Francis listing, the gallery notes that the image was drawn with water tusche directly on plates, a production detail that points to the artist’s printmaking process.
Francis remains a central figure in abstract art, and the gallery’s description focuses on the print itself rather than a retrospective framing or exhibition context. The work’s six-color lithographic process and relatively large scale give it a visual presence associated with Francis’s broader reputation for expansive color fields and gesture, though the source material does not supply a formal interpretation. What is verified here is the edition format, the signature and numbering, and the exact paper and size details provided by the gallery.
Puccio Fine Art is an online gallery based in the United States, and the source material shows the work as available through its website with an inquiry option. The page is structured like a retail listing, with the title, medium, dimensions and edition information presented prominently. No exhibition venue or public program is named in the source material for this Francis work, and no event dates are given.
Alongside the Francis print, the gallery’s online collection includes James Rosenquist’s ‘Hot Lake (State 1), 1978,’ described as a 1-color etching, aquatint with pochoirs printed on Pescia Italia, edition 30 of 78, signed, titled and numbered in pencil. The page also lists Steve Kaufman’s ‘Mick Jagger,’ 2007, as hand embellished on canvas and signed on verso, reinforcing the range of media represented on the site.
The Sam Francis listing is concise but specific. It identifies the work as ‘Untitled (SF-343),’ dates it to 1990, and records the edition information and production notes without additional curatorial text. In the gallery’s presentation, the print is a straightforward collectible object: a lithograph in six colors, edition 50, signed and numbered in pencil with the publisher’s chop mark.
