Image: Puccio Fine Art
Puccio Fine Art has added Steve Kaufman’s 'Mick Jagger' (2007) to its online collection, presenting the hand-embellished canvas as a 59 x 37 inch work signed on the verso. The gallery’s listing gives no exhibition context or sale history, but it places the painting among a broader group of works currently available through the gallery’s online store and artist pages.
The Kaufman work appears on the Puccio Fine Art website alongside other recent online offerings by artists including Invader, Damien Hirst, James Rosenquist and Sam Francis. In the same email and site update, the gallery invited viewers to browse its online collection and noted domestic and international shipping within 48 hours for works offered through the store. Those wider commercial details frame the presentation, but the featured artwork itself is listed separately on the artist page rather than as part of a show.
'Mick Jagger' is identified in the listing only by artist, title, year, medium and dimensions. Puccio Fine Art describes it as “hand embellished on canvas,” with the additional note “signed on verso” and the copyright credit “The Artist.” No further descriptive text accompanies the work, and the source does not provide information about the imagery beyond the title.
The site update also places Kaufman’s work in proximity to other pop- and post-pop-inflected material. Among the highlighted pieces are Invader’s 'Rubik Shot Red Marilyn' (2023), a diasec-mounted giclée on aluminium composite panel measuring 100 x 100 cm and numbered in an edition of 774; Damien Hirst’s 'Politeness' (2021), a laminated giclée print on aluminium composite panel; James Rosenquist’s 'Hot Lake (State 1)' (1978), a one-color etching and aquatint with pochoirs printed on Pescia Italia; and Sam Francis’s 'Untitled (SF-343)' (1990), a lithograph in six colors on PTI #120 Waterleaf paper. The gallery’s roundup does not describe the works in relation to one another, but the grouping underscores the range of media on view online.
Steve Kaufman’s listing itself is straightforward and factual: a 2007 canvas work, signed on the back, and offered through Puccio Fine Art’s website. The page provides a route for inquiry rather than a curatorial essay, reflecting the gallery’s online-store format and its emphasis on direct access to available works.
Puccio Fine Art’s website identifies the company as Puccio Fine Art Collection, LLC and includes contact information, social media links and an invitation to inquire about works. For 'Mick Jagger,' the page offers no venue, opening date or physical exhibition details, only the online presentation of the work and its basic catalogue information.
