Image: 3 Thirty One Collection, New York
Ithaca Gallery has posted a new online available-works page presenting 174 photographs and related objects from a wide roster of 20th- and 21st-century artists. The listing spans fashion photography, portraits, landscapes, street scenes, and ocean studies, with all works marked “Price on Request” and acquisitions handled privately through an Ithaca advisor. The gallery’s website also invites visitors to inquire directly about available pieces.
The presentation gathers names that are central to photography’s modern canon, including André Kertész, Ansel Adams, Berenice Abbott, Bill Brandt, Helmut Newton, Irving Penn, Hiroshi Sugimoto, Robert Frank, Slim Aarons, William Klein, and others. The page organizes the works under an “Available Works” section and offers a filter by artist, reinforcing the sense of an inventory built for collectors who want to search by maker rather than by theme alone.
Among the strongest groupings are extensive selections of Helmut Newton and Irving Penn photographs. Newton appears with fashion, portrait, and studio images such as 'Berlin Nude' (1977), 'Hotel Room, Place de la République, Paris' (1976), 'Paris (Nude Standing In Front of Window)' (1977), and 'Self Portrait with Wife and Models, Vogue Studio, Paris' (1981). Penn’s holdings range from fashion and portrait work to his ethnographic series, including 'Cocoa-Colored Balenciaga Dress (Lisa Fonssagrives-Penn) (A), Paris' (1950), 'The Sultan of Morocco in his Carriage' (1952), 'Girl with Nose Disc, Cameroon' (1969), and 'Three New Guinea Men Painted White' (1970).
The page also includes a substantial run of Hiroshi Sugimoto’s seascapes, identified by location and numbering, such as 'Atlantic Ocean, Cliffs of Moher, #316' (1989), 'Aegean Sea, Pilion, #349' (1990), 'Pacific Ocean, Oregon, #312' (1985), and 'Sea of Japan, Oki, #310' (1987). Alongside them are landmark modern photographs by Ansel Adams, including 'El Capitan, Sunrise, Winter, Yosemite National Park' (1968), 'Half Dome, Blowing Snow, Yosemite National Park, California' (1955, printed 1976), and 'White Branches, Mono Lake, California' (1947), as well as Berenice Abbott’s New York and Brooklyn scenes and Robert Frank’s mid-century views from the United States and Europe.
The online list covers a wide historical range, from André Kertész works dated as early as 1914 and 1915 through more recent photographs by Bastiaan Woudt and Patrick Demarchelier. Other highlighted names include Arthur Elgort, Elliott Erwitt, Horst P. Horst, Joel Meyerowitz, Louis Stettner, Peter Lindbergh, Richard Avedon, Robert Mapplethorpe, Sally Mann, and Terry O’Neill. The breadth of the checklist suggests an emphasis on classic photographic authorship across fashion, documentary, and art photography rather than on a single school or era.
The available-works page sits within Ithaca’s broader website structure, which also references exhibitions, editorial content, art fairs, private sales, consignments, appraisals, collection management, and curation. In a newsletter tied to the gallery, Ithaca described the selection as available by inquiry and pointed readers to its online collection, while the website states that every acquisition is handled privately through an Ithaca advisor. The listing remains open-ended on the page, with individual works presented without prices and contact directed to the gallery for further information.
