Image: NTT InterCommunication Center, Tokyo
The presentation has an approximate running time of 44 minutes.
It comprises ‘The Advent of Red Noise’ (2018), ‘Bright Sound A’ (2022) and ‘Auditory Training’ (2022).
Across the programme, Kim Young-eun traces memories and records of sounds from the past, investigating how society, institutions and technology have shaped the act of listening.
The three works reconsider history through sound and listening connected to the modern histories of Korea and Japan. The wider screening listing also names Rosa Menkman’s ‘Missing Visions’ (ローサ・メンクマン：欠けているヴィジョン), selections from the ICC video collection (ICC 映像コレクションより), and ‘Media Archaeology and Artists’ (メディア考古学とアーティストたち). Admission requires a same-day ticket to the exhibition ‘ICC Annual 2026: Preserve / Remain / Receive’ (「ICC アニュアル 2026 遺す／残る／受けとめる」).
