Scott Nichols Gallery has announced its opening exhibition in Sonoma with a group of photographic works by Brett Weston, Rolfe Horn, Sebastião Salgado, Brad Temkin, Pirkle Jones, Lee Friedlander and Michael Light. The presentation brings together prints described by the gallery as ranging from historical images to contemporary studies, and the gallery says pricing and further details are available on request.
The exhibition is being presented by Scott Nichols Gallery, which lists its location at 1310 4th Street in San Rafael, California. The gallery’s current notice also states that it is open Wednesday and Saturday from 11 to about 4, with additional contact information available through its website and by phone. No additional public opening schedule was provided in the source material.
Among the works listed in the gallery’s announcement is Brett Weston’s 'Ford Trimotor Plane', from 1935, printed in 1979. Weston, whose artist page at the gallery identifies him as 1911-1993, is represented alongside other photographers whose practices span different generations and visual approaches. The list also includes Rolfe Horn’s 'Berkeley Pier Study No. 7, CA.', 2007, printed in 2009, and Sebastião Salgado’s 'Cast of Thousands in Gold mine of Serra Pelada, Brazil', 1986, printed in 2000.
The selection extends into more recent work with Brad Temkin’s 'Montgomery Pass Mustangs - Mono Basin. CA', 2021, an archival pigment print in an edition of eight. The gallery’s site identifies Temkin’s practice through numerous California and landscape-based images, while Salgado’s page points to globally known documentary projects and large-scale scenes. The exhibition also includes Pirkle Jones’s 'Couple in Cemetery, From the Back, Berryessa Valley', 1956, printed in 1960.
Additional prints listed in the gallery’s email announcement are Lee Friedlander’s 'Hollyhocks Taos, New Mexico', 1974, printed in 1975, and Michael Light’s '1,000'; 07:38 Hours; 10.21.00 Near Bristol Lake, CA', 2000, printed later. The mix of artists suggests a survey that moves between straight photography, landscape observation, and documentary imagery, though the source material does not frame the show around a single curatorial thesis.
The gallery’s website pages for the named artists provide only basic biographical headings and image lists, and the announcement itself emphasizes availability rather than extended interpretation. Scott Nichols Gallery directs inquiries to its San Rafael address and contact details, and says the opening exhibition can be viewed during its Wednesday and Saturday hours at 1310 4th Street.
