Image: 21st Century Museum of Contemporary Art, Kanazawa
The 21st Century Museum of Contemporary Art, Kanazawa says two of its own exhibitions are now on view, alongside a free-zone project, and notes that the hydrangeas on the museum grounds are at their peak bloom. In a short update posted on June 30, the museum pointed visitors to its web ticket page for the current programme.
According to the museum’s ticket information page, the exhibitions currently available to book are 'Uwaga, czy przeszkadzam?' and the collection exhibition 'Walking, Pausing'. The museum also says 'Aperto 21: Yuka Nomura, Golden River' is being shown in the free zone. The social post accompanying the update directed visitors to the same ticket page and presented the flower display as part of the museum’s present atmosphere.
The ticket page identifies 'Uwaga, czy przeszkadzam?' as a museum-organized exhibition running from April 25 to September 6, 2026. 'Walking, Pausing', also listed as a museum-organized exhibition, runs from May 23 to October 18, 2026. The page does not describe the exhibition contents in the text provided, but it clearly places both exhibitions within the museum’s current programme.
'Golden River' appears as part of the free-zone offering under the 'Aperto 21' banner. In the source material provided, the museum does not give a separate date range or further curatorial details for that project on the ticket page, only noting that it is available in the free zone. The museum’s website also distinguishes between ticketed museum-organized exhibitions and other programmes.
The update comes from the museum’s official ticket-purchase page, which is organized around current and upcoming exhibitions, events, collection resources, learning, and visitor information. The page notes that tickets can be purchased for the two museum-organized exhibitions currently on view, while stating that there are no museum-organized events for which tickets are being offered at present.
Alongside the exhibition notice, the museum’s post highlighted the hydrangeas growing on the grounds, framing the current visit as both an exhibition stop and a seasonal one. The available source material does not add further details about public programmes, related talks, or the content of the works, and the museum’s current ticket listing ends with the two exhibition date ranges and the free-zone project name.
