Image: Galerie Simon Blais, Montréal
About ten new works by Françoise Sullivan, made between 2022 and 2026, are being presented in a current exhibition announced by Galerie Simon Blais in Montréal. The gallery’s August 27, 2026 newsletter does not give the exhibition a title, opening date or closing date, and the available announcement does not specify whether the presentation includes a public programme or reception.
The works are described as compositions built around vivid colour arrangements and a free, dynamic gesture. According to the announcement, this combination gives each piece a sense of movement, making vitality and motion central to the presentation’s account of Sullivan’s recent practice.
The gallery characterizes Sullivan as still active and emphasizes the continuing energy of her work. Beyond that description, the available material does not provide details about the individual works, their media, dimensions, titles or provenance. It also does not identify a particular series or explain how the new pieces relate to earlier phases of the artist’s career.
Sullivan appears in Galerie Simon Blais’s online list of artists, alongside figures including Paul-Émile Borduas, Marcelle Ferron, Jean-Paul Riopelle and Guido Molinari. The list establishes the gallery’s representation or presentation of Sullivan within its broader programme, but the supplied pages do not provide a biographical profile or a chronology of her work.
Galerie Simon Blais says it has presented emerging and established artists since 1989, working across painting, drawing, sculpture, printmaking and photography. The gallery also states that it participates in contemporary-art fairs nationally and internationally. Its listed address is 5420 Saint-Laurent Boulevard, Suite 100, Montréal, Québec H2T 1S1, Canada.
The newsletter places Sullivan’s presentation alongside announcements for forthcoming exhibitions devoted to Denis Juneau, Marc Séguin and Julie Ouellet, but those projects are separate from the current exhibition. No dates or additional visitor information are supplied for Sullivan’s presentation in the available source material.
