Image : Wolverhampton Art Gallery
Cette actualité est affichée en anglais en attendant que sa traduction soit prête.
Shaqúelle Whyte’s ‘Shattered Dreams’, the Wolverhampton-born artist’s first institutional solo exhibition, is due to close on 31 August at Wolverhampton Art Gallery. The exhibition, which opened on 18 April, brings together six large-scale paintings made between 2023 and 2026, presenting Whyte’s bold figurative style and vigorous approach to mark-making.
A central work in the exhibition is ‘Blackbirds singing in the dead of night’ (2025), a nocturnal painting recently acquired for Wolverhampton Art Gallery’s permanent collection. The oil-on-linen work was purchased with support from the Arts Council England/V&A Purchase Grant Fund, the Contemporary Art Society, City of Wolverhampton Council, and Kemal and Tala Cingillioglu during 2025–26.
The painting reflects Whyte’s interest in the physical possibilities of paint. Its expansive composition is defined by fluid brushstrokes, while layered scenes and sharp contrasts between light and darkness create the atmosphere of film stills. The gallery describes the imagined settings as conveying mood, sensation and psychological depth.
Whyte’s practice draws on a range of interests including literary fiction, music, mythology, cultural theory, ecology, and contemporary and historic art. He develops ideas through writing and drawing as well as through the act of painting. In ‘Shattered Dreams’, the gallery identifies connections to history painting, surrealism, expressionism and post-war painterly abstraction, placing the new works within a broad set of artistic precedents.
Born in Wolverhampton in 2000, Whyte lives and works in London. He studied for a BA in Fine Art at the Slade School of Fine Art, which he completed in 2022, followed by an MA at the Royal College of Art in 2023. His recent solo exhibitions have included presentations at Pippy Houldsworth Gallery in London in 2024 and 2025, and White Cube in Hong Kong in 2026. His work is held in public collections including the Arts Council Collection, Walker Art Gallery in Liverpool, the Fitzwilliam Museum in Cambridge, the Potteries Museum & Art Gallery in Stoke-on-Trent, and the Nasher Museum of Art in Durham, North Carolina.
The exhibition has a particular local connection. The gallery says that visits there during Whyte’s youth helped nurture his creativity and introduced him to possibilities for artistic expression. Alongside the exhibition, the institution presented a conversation between Whyte and actor Omari Douglas on 23 August. Admission to ‘Shattered Dreams’ is free, and the exhibition remains on view at Wolverhampton Art Gallery through 31 August.
