Daily Brief — 20 October 2026

Three exhibitions place transformation at the centre of the day’s art news: Picasso’s political imagery, Lap-See Lam’s reworked family histories, and a wide-ranging account of sculpture as translation.

Casa Natal Picasso has inaugurated “Picasso. Propaganda y activismo político,” an exhibition running through 7 February 2027. Curated by Rafael Inglada and Carlos Ferrer Barrera, the presentation focuses on Picasso’s relationship with propaganda and political activism. Museo Picasso Málaga is contributing a still life described as a memento mori, painted during the postwar period. The work brings a note of mortality to an exhibition otherwise framed around Picasso’s explicitly political engagement. The show is part of the XXXIX Octubre Picassiano programme at Casa Natal Picasso in Málaga.

At Vienna’s Secession, Lap-See Lam’s “192 Wing Lok Street” brings together mouth-blown glass, installation and sound in a new body of work shaped by personal and collective stories across generations and places. A large bamboo sculpture occupies the foyer and appears to pierce the building; below, a root-like chandelier lights a room where mandarins sit in the corners. The title refers to a Hong Kong street known for bamboo scaffolding—and to Lam’s family history, as her grandmother worked there as a fruit seller. The exhibition runs through 22 November 2026.

Astrup Fearnley Museum of Modern Art will present “Material Shifts” from 13 November 2026 to 28 February 2027. The international group exhibition examines sculpture as a form of translation, bringing together conceptual works, craft-based material investigations, room-activating installations and existing objects given new functions as art. Its artists include Olga Balema, Katinka Bock, Ludovica Carbotta, Rhea Dillon, Miho Dohi, Vincent Fecteau, Jean-Luc Moulène, Dima Srouji and Diane Simpson. The exhibition considers shifts between two and three dimensions, the ephemeral and the durable, and ideas that acquire physical form.