Recognisable People Depicted in Filippino Lippi’s ‘Adoration of the Magi’

The work is dated 1493 and associated with the Uffizi. It is presented as evidence of Perugino’s mature style.

The work is dated 1535 and is associated with the Uffizi. It presents Adam and Eve wandering naked through the dense darkness of the forest of the earthly Paradise after being expelled from Eden.

In the ‘Adoration,’ architectural forms return to humble shapes. The Christ Child lies on hay, identified as a symbol of frugality and spiritual virtue.

A Uffizi post presents the female beauty in this enigmatic allegory as a symbol of Truth, finally freed from worldly vanities and rising toward the sacred and knowledge.