'La Barraca' Stage Designs Linked Theatre and the Avant-Garde

The exhibition explores the emotional and political dimensions of Gonzalez-Torres’s work. The artist’s vital and artistic journey is marked by beauty, grief, paradox and participatory power.

In 'La máquina sueña con humo', Eli Cortiñas examines how cinema, artificial intelligence and the museum shape our gaze and narratives of power.

Alexander Calder was the only foreign artist to participate in the Spanish Pavilion at the 1937 Paris International Exhibition.

In 2025, the museum incorporated Salvador Dalí’s 'Biombo' (1921–1922) into its collections.