Uffizi highlights Raphael’s ‘Madonna dell’Impannata’

The polyptych was dismembered in the 19th century. It is now presented in a new form that suggests the work’s original completeness.

Wunderkammern were cabinets of wonders in which collectors gathered extraordinary objects from as early as the 16th century.

Savoldo’s ‘Mary Magdalene’ depicts Mary Magdalene at the exact moment when she recognizes the risen Christ.

Dated to around 1530 and associated with the Uffizi, the painting is described as one of the peaks of Titian’s painting.