Image: Anila Quayyum Agha (b. 1956), A Beautiful Despair (laser cut lacquered steel, 60 x 60 x 60 in.), installation view Re-Orientations: Europe and Islamic Art, from 1851 to Today at Kunsthaus Zürich, 2023 © Kunsthaus Zürich, photo: Franca Candrian, 2023
Anila Quayyum Agha’s installation ‘A Beautiful Despair’ will close to visitors on Sunday, August 23, at the Huntsville Museum of Art in Alabama. The exhibition, which opened on March 21, is presented in the museum’s Chan Gallery and brings together illuminated sculptures, embroidered works and drawings concerned with light, shadow, belonging, memory, culture and identity.
The exhibition is centred on Agha’s large-scale sculpture ‘A Beautiful Despair’, a laser-cut, lacquered-steel work measuring 60 by 60 by 60 inches. The Huntsville Museum of Art describes the installation as part of a luminous environment in which light passes through intricate patterns, casting lace-like shadows across the surrounding space. The work was previously shown in the 2023 exhibition ‘Re-Orientations: Europe and Islamic Art, from 1851 to Today’ at Kunsthaus Zürich.
Agha’s practice frequently uses light, pattern and craft-based processes to address questions of inclusion and exclusion. According to the museum’s exhibition text, the patterns in her work draw on Islamic geometry, Gothic architecture and global craft traditions. The Huntsville presentation places the illuminated sculpture alongside more intimate works, including ‘Rain Forest II (Red Thread)’, a 2025 graphite-and-thread drawing on black paper, and ‘Hidden Memories II’, from the 2023 ‘Reflections’ series, made with mylar, paper cut-outs, metallic thread and beads.
The museum connects Agha’s use of architectural and ornamental forms to her experiences growing up in Pakistan, where, according to the exhibition’s overview, sacred places were closed to her because of her gender. In this context, the installation’s shifting boundaries of light and shadow are presented as a way of reimagining spaces of restriction and creating an environment associated with connection and inclusion. The accompanying drawings and embroidered pieces extend those concerns into investigations of memory, culture and identity.
Anila Quayyum Agha, born in 1956, is described by the Huntsville Museum of Art as an internationally acclaimed artist known for intricately carved, illuminated sculptures. Her works combine the visual effects of projected light and shadow with references to geometry, architecture and textile traditions. The exhibition’s focus on both immersive installation and smaller-scale works allows visitors to see the relationship between the expansive spatial effects of her sculptures and the meditative processes visible in her drawings and embroidered pieces.
The Huntsville Museum of Art is located at 300 Church Street South. Its gallery hours are noon to 5 p.m. on Sundays; 10 a.m. to 5 p.m. Tuesday, Wednesday, Friday and Saturday; and 10 a.m. to 8 p.m. Thursday. The museum is closed on Mondays. General admission is listed at $20 for adults, with reduced rates for seniors, educators, active military members and students; members and children aged 12 and under enter free. ‘A Beautiful Despair’ remains on view in the Chan Gallery through August 23.