Image: Universal Limited Art Editions, West Islip
Universal Limited Art Editions has released a new edition by Wyatt Kahn as part of his second exhibition with Rodder in New York, adding a fresh print to a survey that spans more than a decade of the artist’s work on paper. The work, Construction after Konstruktion, 2026, is a lithograph in 12 colors on BFK Rives White paper and is debuting tonight at the gallery’s exhibition opening.
The print is being presented within Wyatt Kahn: Works on Paper 2011–2026, which opened June 25 and remains on view through August 8, 2026. According to Rodder, the exhibition brings together an extensive selection of drawings, prints, watercolors, and other works on paper made across the first fifteen years of Kahn’s career. The gallery frames the show as a look at how those works connect to, and expand from, his paintings and sculptures.
Kahn’s new edition is sizable, measuring 40 3/4 x 26 3/4 inches, and is offered in an edition of 13. ULAE lists the print at $3,500. The edition appears alongside a wide range of works from 2011 to 2026, including selected pieces such as Untitled 29, 2011; Father Time, 2013; Salamanca Red, 2020; and several 2026 sketches and studies. The exhibition context suggests that the new lithograph is not being shown as an isolated object, but as part of a broader visual record of the artist’s evolving process.
ULAE identifies Kahn as a New York-born artist whose career includes solo exhibitions at MART in Trento, the Contemporary Art Museum St. Louis, and LAXART in Los Angeles, as well as solo gallery shows at Galerie Eva Presenhuber in Zurich and Xavier Hufkens in Brussels. The artist has also appeared in group exhibitions including Opening Sentence at the Hessel Museum of Art, Inside Out at Galerie Eva Presenhuber, Performa Biennial, and Space Between at the FLAG Art Foundation.
For Rodder, the exhibition marks the second time Kahn has shown with the gallery, underscoring a continuing relationship between the artist and the New York space. The focus on works on paper is notable because it places process, scale, and material experimentation at the center of the presentation rather than treating prints as secondary to the better-known painting and sculpture practices that often define a contemporary artist’s public profile.
The new edition’s title, Construction after Konstruktion, also places it in dialogue with the artist’s broader formal concerns. Rodder says the show explores composition and structure, transparency and layering, gesture, balance, and material experimentation. In that sense, the lithograph’s release is important not just as a collectible edition, but as a marker of how Kahn’s language continues to develop across media and through time.
